June 28, 2012

Wine For Normal People Radio: Ep 052 -- Critiquing the Critics

Ever wonder what those little tags with numbers on them in the wine shop actually mean? Who determines the difference between an 89 and a 90? What's the scale like? How do they conduct these tastings? In this episode we critique the critics, talking about the various scoring systems -- what they mean, what to look for, and why, ultimately, they are kind of like noise to your decision-making process.

After shout-outs and a listener question on punts (in which M.C. Ice gives a crazy explanation that you can't miss), the indentation at the bottom of a wine bottle, we get to the main topic:

  1. We cover the various systems of Robert Parker/the Wine Advocate, Wine Spectator, Wine Enthusiast, Decanter, Jancis Robinson, and the New York Times and San Francisco Chronicle. We quote from their websites about their scoring methodologies and then give our impressions of them.
  2. We talk about alternate methods of evaluating a wine and a way to revolt against the system...although we'd like your thoughts on it too!
This is a controversial one. Hope you like it! 

If you like the podcast, please review it on iTunes, drop a comment below, or join the awesome conversation on Facebook (Wine For Normal People page) and Twitter @normalwine!



And if you've got a question you want us to answer, post it on any of those places and we'll include it on the show!

Thanks for listening! We can't wait to hear from you!


Oh, and per the podcast... if you were wondering what DBS means -- it's really quite low class, but it is means douchebag supreme. Terrible. We know. 


Podcast music: "Café connection" by morgantj / CC BY 3.0, ©2009 - Licensed under Creative Commons Attribution (3.0) Map: Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license

June 26, 2012

Höpler: A Fabulous Austrian Producer For Normal Wine People


Post Summary Points
  • Background on Höpler and the wines of Lake Neusiedl
  • Christof Höpler: A winemaker for normal wine people
  • The wines: The Whites, The Reds, The Sweets
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Sometimes serendipity happens. And last week it did! 


I was so excited when, following the podcast on Austria, I got a last minute invite to have lunch with an Austrian winemaker. Although I've been to Austria and have studied up on the wine (both by reading and by sipping) this was a great chance for me to supplement the podcast with some extra info on the country and what's going on there now.

But what I found out was that fate was even kinder to me than I had originally thought -- the winemaker was about my age, and he was a TOTAL normal wine person. No BS, no spin, just honesty and openness. Christof Höpler is such a down-to-earth guy that you would never know that his wines are served in some of the best restaurants in the US and the UK -- from Bobby Flay's Mesa Grill in New York to French Laundry in Napa to Jamie Oliver's Fifteen in London, these wines are big time.

But you know what? These aren't like a lot of other wines on those lists -- we can actually pick these up for a great price. And let me tell you, they are worth it. I was so excited to find a new go-to Grüner Veltliner and taste some amazing reds from Christof as well, including the best and most interesting Blaufränkish (called Lemberger in Germany) that I've had.
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BACKGROUND ON HOPLER AND THE WINES OF LAKE NEUSIEDL

Before I get to the wines, a little about Höpler and Christof.

If you listened to the podcast, you'd be surprised when I tell you that the winery is not located in the "Big Three" -- Kremstal, Kamptal, or Wachau -- widely considered the best areas for white wine in Austria. Instead it's in Burgenland, about 45 minutes from Vienna, on the banks of Lake Neusiedl (noy-SEE-dle). Settled by the Cistercian monks, after they rocked out the vineyards in Burgundy, this area has a long winemaking tradition and share some similarities with that place in France.

Here cold winters allow the vines to go dormant, but hot, sunny summers (they claim to have the most sunshine in all of Central Europe) with humidity rising from the lake allow the grapes to develop balance between fruit flavor and great acidity. It's Austria's biggest red grape area and as another awesome bonus, that humidity that works for reds also allows for the development of botrytis, that nasty rot that changes the flavor of white grapes to give them a honeyed, nectar taste that is lights-out delicious.


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CHRISTOF HOEPLER: A WINEMAKER FOR NORMAL WINE PEOPLE

Christof and his dad Jost are the Höplers behind the wine. 50% of their production is white. 45% is red and 5% is sweet (which I will review later in the post -- insanely good). If you associate Austria only with Grüner Veltliner, that white, tropical fruity, peppery grape, these wines can push you a little further into a love of Austria. Höpler's wines will quickly convince you that there is a world of lighter style red wines that are food friendly, delicious, and unlike anything else you've had.

Christof was funny, sweet, and dedicated to quality winemaking. He reminded me of why I dig Austrians -- to stereo type: they like life, they've got a great sense of humor, yet they are very practical and precise. A good combo for living life. 


Christof embodied what I just described -- he's confident but has such a grip. The guy started out studying economics in college and is a self-taught winemaker, so he's totally pragmatic. Although there's merit in going to school for winemaking, I often find that the most creative people in the industry are the ones who learned by doing and traveling (Christof studied in Australia, the US, France, and Germany, I think to figure out how to do all this).  


As we were tasting, he admitted that he may do some things differently next vintage (so cool to do that, rather than boast about how good it is if you think it could be better!). We talked about various things in the industry and how they are such BS -- winemakers who live and die by scores, ones with so much ego they never admit fault, and those who claim they get barrels made from specific trees in specific forests (he claims this is a total scam and that winemakers have no idea what wood they get from barrel makers. He also explained that he happened on using oak from Georgia and Azerbaijan in Eastern Europe by trial. It's what when best with his Pinot Blanc so he used it). We also chatted about the strange, voluntary classification system of Austrian wine that the government there is trying to impose but to which few have subscribed, and the problems with large production wineries and their drive to make all wine the same.

Normal wine people will love Christof. If you go to Vienna, I recommend visiting his tasting room, which is part art gallery, part tasting experience, part natural paradise from what I can tell. I know I'll be heading there when I get to Vienna again!

Ok, so clearly I loved the guy, but what about the wines? Here are the reviews. Not a "sink" in the bunch. I'd recommend any of them...and for the value you could try all of them without killing the budget (except for the dessert wines, but even those are less than most of their competitors!).

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THE WHITES

Höpler Grüner Veltliner, 2010. $15.
Color: This wine is always super green regardless of producer. I asked Christof why this is, and he said he looks for the greenest grapes in the harvest. He finds the greener grapes to be more aromatic than those that are more yellow. I loved that tip. I'll be checking out all Grüner before I buy it to see if I agree with the theory.

Smell: A very classic Grüner smell. What the hell is that? Limes, green salad/lettuce, and a ton of white pepper spice. Christof said that he feels Grüner lies somewhere between Sauvignon Blanc (acid, "green" notes), Riesling (tropical, minerally), and Pinot Grigio (lime/lemon). I guess I see the shared traits but I think Grüner is a style all its own and something with no real comparisons! You just have to drink it to see.

Taste: Tropical fruit -- like kiwi, pineapple, and guava. It tasted like limes and had a ton of white pepper spice too. Great acicity made it amazing with my salad because the acid of the greens and of the wine combined to make everything taste smooth and soft. My new go-to Grüner. For $15, it's a steal.

 
Höpler Pinot Blanc, 2009. $16.
Color: This wine was pretty green for the normally straw-colored Pinot Blanc. Christof said it was from skin contact...more on that in a minute!

Smell: Pinot Blanc usually has pretty tame aroma -- just a little citrusy or floral. This smelled like plant stems and green stuff. It was still delicate but what I smelled I didn't love.

Taste: I liked the texture of the wine a lot. It had great acid, and because it was fermented in older oak (from Eastern Europe, as I mentioned above), it had a nice creaminess to it. The problem was that it wasn't great without food. That plant stem bitterness stuck out a bit. Christof admitted that it was probably not the best idea to leave the juice in contact with the grape skins for as long as he did. I agree and I'm sure he'll fix it in the next vintage (love that -- no hubris!!). That said, with the parmesan cheese and greens from my salad the wine was pretty darn delicious. It was soft, had nice acidic fruit flavor that lingered on and on. This vintage is a food wine, and worth the money if you have it with a meal.

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THE REDS

Höpler Pinot Noir, 2007. $20.
This is a totally different style Pinot than California Pinot Noir, for example. It's a lighter, earthier version. This is the definition of a summer wine, but don't be disappointed if you buy it and find that it's not dark in color or fruity. It's a milder version. This wine spends 14- 16 months in French oak to give it some subtle flavors and softer textures.

Color: After 5 years the wine is showing it's age a bit. It was slightly brownish, which happens to reds with time.

Smell: I didn't love the smell of this wine. It was kind of oaky and earthy, but had a nail polish remover smell at first. The other people at the table were raving about it, so...

Taste: This is why we taste wine and not just snort it! This was such a delicious Pinot. It was very outdoorsy. It reminded me of camping smells -- wet soil, sticks, and decaying leaves with a little bit of roasted marshmallow, wood char, and bright raspberry to make it super delicious. Another one that was really great with food. A light wine and so good.


Höpler Zweigelt, 2007. $20.
A note on this wine. I say it wrong all the time. It's said like:  ts-VEYE-gelt.  I always want to (wrongly) call it Zveee-gelt. Must retrain my brain. 


This grape is Austria's red. It was created by a dude, Fritz Zweigelt, in 1922 when he crossed Austria's other big red grapes, the very finnicky St. Laurent (Christof claims it's harder than Pinot Noir to grow, which is hard to imagine) and the more steady Blaufränkish. The result is a really hearty, pleasant, light red that is always fruity, sometimes spicy, and never offensive.

Color: Ruby colored with decent legs from the 13% alcohol (water drips down the glass before alcohol and sugar. In a dry wine like this, the legs indicate the alcohol content and 13% is getting up there).

Smell: Raspberry, strawberry, and a little black cherry with earth and a sniff of heat from the alcohol. A simple, nice aroma.

Taste:  Tasted like it smelled, with just a little more candied cinnamon spice and pretty high acidity. It had a long finish, and like most of the other wines was great with food. I wasn't crazy about it until I had it with cheese. Then I was sold. 


Höpler Blaufränkish, 2008. $20.
If you need to be convinced that Austria makes some interesting red wines, look no further. I've only tasted a few in my time (they are hard to get, since most people associate Austria with Grüner, shops don't want to do the marketing involved to educate people on the fact that the country makes some kick ass reds), but this grape is fabulous and one to seek out. Light, but complex, fruity but spicy, this wine has a lot going on. The grape and the soils it's grown in (the ligher soils produce more interesting flavors -- chalk, sand, and slate make magic) make this the pinnacle of fabulosity.

Color: A little brown-red, the wine was kind of garnet in color with a clear rim around the edge.

Smell: There was this warm spice -- like a hot cinnamon or nutmeg drink -- blended with a dried strawberry smell that made my mouth water. I couldn't smell it for that long because I wanted to dive right in. 

Taste:  AMAZING! Spicy nutmeg bite with raspberry and strawberry flavors and a little bit of dusty earthiness. The acid was good, the tannin was light, and the wine just seemed to keep unfolding with more rich flavor. Don't get me wrong -- this is still a medium wine, but damn! it was great. This is the best red I've ever had from Austria. I need a case.


Rosenberger Single Vineyard Pinot Noir, 2008. $35.
There are only about 300 cases of this wine made a year (3,600 bottles) so this is hard to get. The vineyard's soils and the location allow for riper Pinot Noir, so this version was fruitier than their standard bottle.

Color: A nice light brownish garnet color, I like to see Pinot Noir in lighter shades because it means the winemaker didn't let the skins sit too long for the sake of appearance.

Smell:  Salty, minerally soil, nuts, and dried raspberry. I loved that this wine had a sense of place. You could really get a sense for what the vineyard soils are like based on smelling the wine. Very cool.

Taste:  Super acidic with a great hit of raspberry and strawberry. There was that dirt/mineral flavor and a little vanilla from the oak. Solid wine.

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THE SWEETS

It's a rare opportunity to get to taste the three great sweet wine types of Austria side by side by side. I wasn't expecting to have this opportunity but I was so glad for it! Austria has a similar classification system to Germany. The Pradikat wines, or those with "characteristics" are ranked by sweetness, as follows:

Spätlese: Fully ripe grapes (can be sweet or dry) 
Auslese: Later harvest grapes, specially selected (can be sweet or dry) 
Beerneauslese: Made from over-ripe grapes and/or those affected by botrytis (always sweet). The fungus gets into the skin of the grapes, water evaporates and concentrates the sugar, minerals, and flavors. 
Trockenbeernauslese (TBA for short): Almost all grapes are affected by botrytis and the bunches are raisined and dried (Trocken = dry). This is the sweetest wine. It's made from the ripest grapes that have been affected by botrytis and is a gooey paste that is pressed and made into wine. 
Eiswein is also in the classification, but it's a beast of its own. Christof confirmed that this is a VERY stressful kind of wine to make. You have to wait until the first frost and then pick and press the grapes while they are still frozen. This allows you to get the water out of the grapes, leaving primarily sugar and acids for you to press off. All this has to be done under ideal temperature conditions and, as you can imagine, you don't get a whole hell of a lot of wine from this process. Small production, lots of stress, but high payoff, since these wines can cost a chunk of change, and rightfully so given what a pain in the ass it is to make it.

Austria also has Ausbruch, made from 100% grapes affected by botrytis. These wines are nearly as sweet as TBA. Strohwein, or straw wine, requires that the grapes air dry on straw or reeds or hanging on lines for at least three months (this is similar to Italy's passito method).

Producers use all sorts of grapes to make each of these wines. In Germany, it's mainly Riesling that is used (since Riesling is used for nearly everything). In Austria, it seems less uniform. Grüner is used in the Beerenauslese and TBA, but Gewurztraminer, Chardonnay, a grape called Welschriesling (not related to Riesling), Sämling 88 (Scheurebe in Germany), and many more (up to 22 white grapes can be used in these wines.

Ok, to the good stuff...

Höpler Beerenauslese (non-vintage). $30.
Grapes: Chardonnay, Sämling 88, Grüner Veltliner

Color: Dark, golden yellow. Super rich.


Smell:  Once you have a wine where the grapes have been affected by botrytis, you will recognize it instantly. The honeycomb, apricot, and cooked peach aromas persist and the combination is unlike anything else you've ever smelled.

Taste: The great thing about this wine -- it tastes like it smells but it has great acid which leaves your mouth with a delicious sweetness, that isn't cloying or sticky. This would be amazing with crème brûlée.



Höpler TBA 2008. $45.
Grapes: 35% Gewurztraminer, 35% Sämling 88, 30% Welschriesling

Color: Much darker than the Beerenauslese this was an amber, orange, dark yellow color.


Smell: Honey, raisins, apricots, flowers with just a touch of spice -- like nutmeg.


Taste: Rich! Sweetness balanced by acid and flavors of nectarine, apricot, and honey. Not something you can have more than a sip or two of, but delicious with cheese and fruit.

Höpler Eiswein 2009, $53.
Grape: Pinot Noir

Color: Dark yellow, almost amber in color

Smell: The difference between this and the wines that are affected with botrytis? This wine didn't smell like honey at all. It was like sweet, baked fruit -- peaches, apricot, and nectarines. Delicious but a little more straightforward.

Taste: Lighter than the previous two wines. It was like kiwi, baked pie crust, with light spicy. Tart, with great acid but lighter and less oily than the previous wines. Another great wine with fruit or creamy desserts. 
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All in all an amazing lunch, very exciting to see a dude who is about my age doing things his own way -- with a nod to the past, a dedication to quality, and a good hit of skepticism about the silliness of the status quo in wine to keep his feet on the ground. Most importantly, he's making it work. The wines are great. 

Listen to the podcast on Austria, get some Höpler and let me know what you think!

June 20, 2012

A Grand Rioja Tasting: Finally, an Strong Identity Emerges!

Post Summary Points
  • Great changes in Rioja have occured
  • What are differences between traditional and modern styles
  • Rioja Basics
  • Traditional producer reviews (CVNE, Bodegas Riojanas)
  • Modern producer reviews (Vintae, Bodega Ontañón)
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The more time I spend in wine, the more I realize that you can't pre-judge anything.

Two years ago, I attended a big tasting event courtesy of Vibrant Rioja, the international marketing organization meant to make people more aware about the region. I wasn't blown away and I actually left thinking that the stuff had, in large part, become very homogenized. I used to love the spicy, savory flavors in Rioja but it seemed like everything had kind of moved to an overly hygienic style that was a little flavorless. Rather than get me really excited about Rioja, I've got to admit that I've been off the sauce since the event.

Fast forward two years and things have changed dramatically. This year's event brought a bunch of new, exciting producers and what was lacking two years ago -- a focus and an identity -- was pretty clear to me. And I'm not talking about the marketing hocus pocus. I'm taking about the wine style.  

I may be completely wrong about this, but my sense is that as the EU pumped more money into wine/farming/agriculture, some of the wineries put too much stock in new technology and New World (everywhere but Europe is the New World and they like their toys and machines a little more than the Old World/Europe) winemaking, resulting in wines that lost their tie to the lands of Rioja. It lead to a really "modern" (Read: homogenous) flavor. 

From what I can report, things are settling down a bit and the wines have benefited greatly.

Some things haven't changed though -- as I reported a few years ago, there are still two very distinct styles of Rioja -- a traditional, spicy style and a newer, fruitier style.

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TRADITIONAL V. MODERN RIOJA STYLES
Traditional Rioja
The traditional style is driven by what's known as the Centenarian Bodegas -- those that have been around for over 100 years and benefited from a huge migration of French winemakers over the Pyrenees, when that vicious serial vine killer, phylloxera, hit Bordeaux in the 1860s. 

These are huge producers and they have very distinct styles. The main wineries are:  CVNE (Companía Vinícola del Norte de España), La Rioja Alta, Muga, López de Heredia, Marqués de Riscal, Marqués de Murrieta, and Bodegas Riojanas.

I've had Muga and Marqués de Riscal many times before, but had never taste the wines of CVNE or Bodegas Riojanas, which were both featured at this event.

Modern Rioja
A younger generation of winemakers has cropped up and learned from winemakers from Australia and the United States. These are entrepreneurial people who  make wines that have a global appeal. In the past, I've found these to be blah -- flavorless and boring. Fortunately, there seems to have been a real shift. Producers are making wines that have less spice and oak, which are traditional red Rioja characters, and are instead opting to showcase the fruit and the land, which make for distinctive, unique wines. I now have a place for these in my wine repertoire and am excited to tell you about them!
  
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RIOJA BASICS
Before we get started on the wines, a few Rioja Basics. The first and most important thing is that although most places in Europe focus on terroir or the soil and the flavor that derives from the vineyard, Rioja is more about the process of making it -- the grapes used and how long the wine stays in a barrel determines quality. 

That said, there are three main production areas of Rioja: Rioja Alta, Rioja Alavesa, and Rioja Baja. Traditionally the highest quality grapes came from the hills/mountains of Alta and Alavesa, and the grapes from Baja were used for their ripeness to goose up the fruitiness and color of the wines. As you'll see below, you can't assume that's the case anymore...

Grapes
  • White Rioja is generally Viura (also known as Macabeo and used in Cava) sometimes blended with the fragrant Malvasia or Garnacha Blanca
  • Rosado, which I didn't review below, is usually made of Garnacha (also known as Grenache in France)
  • Red Rioja is Tempranillo, Garnacha, Graciano, and Mazuelo, with Tempranillo leading the heap and the others used for floral aromatics, alcohol, and color. 
The Importance of Aging and Oak
Riojanos love to age stuff. They equate time to quality. You'll see these terms on a bottle, so pay attention!
  • Crianza: Aged for 1-1.5 years in oak, with an additional year in a bottle before release. This is the everyday wine in Rioja.
  • Reserva:  Aged in oak for 1.5 - 2 years and then another 1 - 2 years in a bottle before release. This has more flavor and is generally a bit richer. A Friday night wine.
  • Gran Reserva: Aged in oak 2 - 3 years and then another 3 years in bottle. They're only made in great vintages and this is an expensive, special occasion wine.

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THE WINES
Most of the wines reviewed below were red. Unless it says blanco, it's a red! There are two traditional producers and two modern ones:

Traditional Rioja Producers
The winery has been around since 1879 and the experience shows. The wines from this benchmark producer were solid. My general impression was that the young wines were awesome, but the Reserva and Gran Reserva wines were way too young to taste.

CVNE Cune Monopole Blanco (White), 2010, $14
Made from the white Viura grape the wine was a fabulous example of a white Rioja. 
Color: Pale, with green edges
Smell: Like fresh laurel leaves, and like a salad picked right from a garden (not the scary grocery stuff).
Taste: Crisp, with those salad flavors and awesome acidity
Drink or Sink?: Drink. This would be a perfect wine with seafood. For $14, it's high on the list. GREAT wine.


CVNE Cune Crianza, 2008, $15
Color: A little brown around the edges from the age (red wine moves to an amber color with time).
Smell: Raisins, dried cherry, dried apricot, and a healthy dose of vanilla smell from the oak. 
Taste: Oak, dried cherry, dried strawberry with great tannin and decent acid, it had major gusto. 
Drink or Sink?: Drink. For $15, this is complete winner. The wine was straight up classic Rioja. Spice, oak, dried fruit, good tannin -- everything I expect from a Crianza.


CVNE Cune Contino Reserva, 2005, $45 (this is a single vineyard, smaller production wine)
Color: A little brown with orange streaks. 
Smell: A similar dried fruit aroma to the Crianza but the oak smell was more pungent.
Taste: Like stewed tomatoes, dried fruit, and vanilla and it was even a little salty-smelling or like earth but it had none of the interesting layers of spice that I like in Rioja. 
Drink or Sink?: Sink. I think it needed more time in the bottle, because it didn't seem well balanced. It didn't have good tannin or acid -- the structure was off. It was kind boring. For $40+ dollars, I definitely wasn't in love. I'll give the benefit of the doubt and assume it was still a little too young, but meh.


CVNE Cune Viña Real Gran Reserva, 2004, $44
Color: Kind of a brown brick red from age.
Smell: There was a huge hit of coffee, mocha, and cinnamon with less fruit. Very savory.
Taste: A lot like cinnamon red hot candies. No fruit but a TON of oaky, smokiness.
Drink or sink?: Right now, SINK because the oak stuck out like a pointy elbow and there was nothing else going on. I think this one could also use a few more years of aging. It would be great in another 5 years. Now -- don't go there.

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This place has been making wine for 7 generations. They are a benchmark for Rioja, similar to the CVNE.

Puerta Vieja Crianza 2009, $15
This is 80% Tempranillo, 15% Mazuelo, and 5% Graciano. It spends 1.5 years in American oak, which means it's going to taste like wood in one form or another...

Color: Ruby, with a pink rim, the wine was very bright.
Smell: You can smell the oak!  It was like warm spice -- nutmeg, cinnamon, with a little bit of black pepper. 
Taste: Like minerals or kicked up dust, vanilla oak, cinnamon, and nutmeg. The wine had mouthdrying tannins that I was chewing on after I swallowed.
Drink or Sink?: LOVE this wine. This is what I think of when I think of Rioja. A total go-to. A traditional Rioja. Amazing and very well done.


Monte Real Crianza 2009, $15
Another of their lines, this is Bodegas Riojanas more modern take on Rioja. It's 100% Tempranillo, as are many of the more modern styles, and it's aged in American oak for 2 years.

Color: Ruby/pink, the color didn't look much different from the Puerta Vieja.
Smell: Floral -- like violets, with lots of oak/sawed wood smell, and some cinnamon.
Taste: Light, with plum and dried cherry flavors and a good hit of oak but it wasn't all that tannic. There was stronger acid, so my mouth was watering.
Drink or Sink?: Hmmmm...I can't sink it because it's well made but it's not my cup of tea. It's a little bit of a powder puff. When you can get the Puerta Vieja for the same price, why bother with this one? That said, if you like the modern, clean version of Rioja, this is your wine.


Viña Albina Reserva 2005, $24
This is part of Bodegas Riojanas's traditional line as well -- it's the next tier up from the Puerta Vieja Crianza. It's the same blend as that wine, but this spends 2.5 years in American oak. 

Color: Dark garnet, red-brown, with an orange tinted rim from the age.
Smell: Like dark flowers, a forest, and cinnamon. This was a rich, spicy, earthy wine.
Taste: SPICY! Like cinnamon, black pepper, even a little cumin! Then dried plum (I guess that would be prune but that sounds gross), fresh tomato, and more spice! The wine had great mouth drying tannins and good mouth cleaning acidity. The spice lingered in my mouth forever.
Drink or Sink?: I also LOVE this wine. Amazing and a total classic. One of the best Riojas I've had. Drink!


Monte Real Reserva 2005, $30
Color: Bright ruby color with an orange tinge.
Smell: There wasn't much going on here. A little red cherry, a little charred oak.
Taste: Pretty light. A touch of cherry and a BIG hit of charred wood. 
Drink or Sink?: It's a nice wine but there wasn't much to it. A pretty light version of Rioja. Again, well made, so I can't sink it, but I think you could do better for $30.

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Modern Rioja Producers
 
And now to the modern producers. I was wary of these because in the past, I've found the wines to be light, homogenized, and not worth it, frankly. I went in with an open mind and was pretty impressed, though! Some very interesting and fantastic stuff.

  
Vintae has a bunch of different brands, but only two are from Rioja: Hacienda Lopez de Haro and Quatro Pagos. They pride themselves on being ultra-modern.

Hacienda Lopez de Haro Viura (White) 2011
Color: Pale straw and kind of green -- showing it's baby face.
Smell: What? This was peachy and limey. This was more like an Albariño than a white Rioja!
Taste: But it tasted like a Viura (white Rioja) -- with tobacco, shrub-like flavors offset by a little peachiness.
Drink or Sink?: Drink. A really great wine. Not what I'd expect out of a white Rioja but delicious nonetheless!


Hacienda Lopez de Haro Tempranillo 2010, $10
Color:  Very bright ruby with a pretty pink edge. No brown here -- this was a young buck.
Smell: Fresh, with a  violet and gardenia smell, and a little cinnamon. 
Taste: Totally unexpected. More like menthol or mint with licorice flavors and a little plum and vanilla. It had softer tannin so it was soft on the mouth.
Drink or Sink?: Drink. It was easy drinking and really pleasant. A great summer red -- a little gusto but not too much. It's got bright flavors and I like the herbal note. Good stuff, especially for the coin.


Hacienda Lopez de Haro Crianza 2008, $12
Color: A light garnet and a little brownish but still kind of bright because the wine isn't too old.
Smell: This had some power. Licorice, with lots of spice from the oak -- like nutmeg and allspice and Christmas-time. And black fruit -- black cherries, black plums. Yum.
Taste: Just like it smelled -- licorice, plums, cherries, spice, with vanilla. And fresh from the acidity.
Drink or Sink? Drink. For $12, this is great. I loved the complexity of flavor and the fact that it had a lot going on but was still light. Great wine. 


The next two wines are part of the modern "Maetierra Dominum" line of Rioja from Vintae. They are blends of Tempranillo, Garnacha, and Graciano -- traditional for Rioja and from 4 estates (Quatro Pagos). The adorable winemaker was at the event, and he's from a long line of winemakers. He was very sweet and humored me as I spoke my lame Spanish to him (I need some Rosetta Stone to really bone up!).

Quatro Pagos Reserva 2005, $20
Color: Ruby with a brown edge from the 3 years in oak and 4 years in the bottle.
Smell: This was very tight -- it smelled a little sharp -- like something acidic and kind of like fresh cut trees. Not much else there.
Taste: Plum, some minerals and good tannin, but this wine was thin on the finish.Very oaky and a little thick but not enough fruit or minerals to make this sing.
Drink or Sink?: Meh. I'm on the fence. It's ok but nothing great. I can tell this is well made, but I wouldn't drink it right now because it's so tight so I guess it's a sink. 


Quatro Pagos Vintage Reserva 2006
Color: Ruby with thick legs from the 14% alcohol.
Smell: Fruity -- like blackberries and blueberries with an alcohol burn up my snout and a lot of oak.
Taste: Black pepper, black plum, blackberry, and black cherry -- this was a very "black" wine. It had a touch of bitterness and strong tannin but the rich fruit and cleansing acid made it balanced.
Drink or Sink?: Drink...with a caveat. If you gave this to me blind, I would think this was a California Cabernet Sauvignon or Zinfandel. This is a huge wine and so unlike a Rioja that it's an anomaly. I liked it, but it doesn't fit in with the other Rioja wines I've had, so if you buy this know what you're getting into!

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A small, new winery, that was established 10 years ago I didn't know what to expect...but WOW.

Vetiver Blanco Viura 2009 (white)
Color: Pale straw -- almost platinum in color.
Smell: Lime, grass, and fresh cut green herbs with a little tobacco and gravel dust smell. Very expected for this wine.
Taste: It tasted like it smelled, except there was a very cool twist -- there was a tart raspberry sensation that made it really special. Great fruit in the vineyard made that possible! The texture of the wine was softer and less acidic, partially because the wine was aged in an American oak barrel, so it showed that influence.
Drink or Sink?: Drink. Very bright good and refreshing.


Ontañón Ecológico 2009
Cosecha is 100% Tempranillo and is made from organically farmed (ecológico) vineyards. Cosecha means this year's harvest, so no rigorous oak aging regimen here. The wine is what it is. 

The fruit for this wine comes from the lower esteemed "Baja" area of Rioja, which as I alluded to above is traditionally the site of overly ripe, raisined grapes that add a little extra color and fruitiness to the wines of Rioja Alavesa and Rioja Alta. I guess someone figured out how to farm this area, because this is NOT a second class wine.

Color: Crimson with no variation in color at all, this was a wine from a warm place!
Smell: Like a Christmas tree with cherry, apple, plum, and cinnamon. Fruitcake -like.
Taste: Licorice, sour cherry, menthol, and cinnamon dominated and the wine was rich and heavy, spicy and full.
Drink or Sink?: Drink. I loved this wine. It was dense and delicious. A perfect one for cool weather.


Ontañón Crianza 2008
Color: Crimson, similar to the Cosecha.
Smell: All dark plums, blackberries, blueberries, dark cherries, and rich vanilla/cinnamon oak. 
Taste: Full, rich and powerful with mild tannin and acid that was in balance but present enough to hold up the fruit. Also like a Christmas tree -- cinnamon, apple, plum, and wood with a little dried dirt flavor.
Drink or Sink?: Another great wine. I loved the fruit and the unique flavors. The oak is noticeable but mild and the fruit really is the star. Balance and deliciousness. Totally unlike the traditional producers, but one of the best and most interesting reds I've had in a while. 


Ontañón Reserva 2004
This wine is 95% Tempranillo with 5% Graciano. It spends 2 years in a barrel and then 2 years in a bottle before release.
Color: Ruby -- dark from the warmer climate.
Smell: Not much here -- a little licorice some strawberry, but kind of light on the smell.
Taste: Plums, strawberry, black cherry with baking spices: nutmeg, allspice, cinnamon, vanilla. The vanilla/caramel from the oak was present but very balanced. The acid in the wine made it taste fresh and bright, rather than dark and thick.
Drink or Sink?: Excellent wine. Drink. So fresh yet so much going on. Loved it.


Ontañón Gran Reserva 2001
Also 95% Tempranillo and 5% Graciano, this wine spends 3 years in a barrel and then 3 years in a bottle. That gives it a lot of time to "think" and become itself before it comes to us!
Color:  Crimson with a brown tint -- which you'd expect from an 11 year old wine.
Smell: Very earthy and dusty (like a country road), light plum and cherry scents.
Taste: Like thyme, herbs, minerals and country road with a rich coffee taste and medium tannins. The dustiness caught at the back of my throat, giving the wine a sense of "Somewhereness" (it grew in the ground!). It was flavorful and rich yet also so fresh and light.
Drink or Sink?: This is what I'd call a BEAUTIFUL wine. Everything was in perfect balance -- earth, fruit, tannin, acid, alcohol -- everything was perfect together. What a fabulous end to the tasting.

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All in all, I've got to say that both the traditional and modern producers were FAR better than they were 2 years ago. I now believe that Rioja is finding its identity and we can start to rely on these wines to have some common ground. The traditional styles will be oaky, spicy, and rich. The new styles more elegant, fruity, and fresh. I feel like Rioja is now for all seasons -- white in the summer, the traditional styles for fall and winter and the newer styles for spring. What a difference 2 years makes! 

Thanks to Vibrant Rioja for producing such a wonderful event and inviting quality producers to change my opinion about the place!

June 17, 2012

Wine For Normal People Radio: Episode 51 -- Austria

 Source: http://www.weygandtwines.com/austrian-wine.htm
This week, it's an episode near to my heart, since allegedly 25% of my family is from here: Austria.

I tell an anecdote about traveling there as a dumb college student and "translating" some German. Then, after some great shoutouts (thank you for writing in and reviewing us on iTunes), we move on to the main topic.

Download it on iTunes, or here's the link to the Podcast:  LINK












  • Since 70% of production is white, we first discuss the main white grapes of Austria: Grüner Veltliner (Grooner Felt-LEAN-ah) and Riesling.
  • We chat a bit about the reds of Austria: Zweigelt (SFY-Gelt), Blaufrankish, and St. Laurent.
  • Then we cover the regions. We talk about Vienna and the three super high quality regions of Kremstal, Kamptal, and Wachau (along with classifications of dry whites: Steinfeder, Federspiel, Smargd)
  • We touch on the classification system of wines and what it means -- Landwein, Tafelwein, Qualitatswein, and Pradikat. 
  • Then we touch on the slightly scandalous, tabloid history of Austria. From the Romans, to Charlemagne, to the Cold War and then to the wine scandal that rocked the industry in the mid-1980s, we surmise that Austria ultimately rose like a Phoenix from the flames.
One more horrible pop culture reference and then we sign out. Enjoy!

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 Thanks for listening! We can't wait to hear from you!
Podcast music: "Café connection" by morgantjCC BY 3.0, ©2009 - Licensed under Creative Commons Attribution (3.0) Map: Licensed under theCreative Commons Attribution-Share Alike 3.0 Unported2.5 Generic2.0 Generic and 1.0 Generic license