August 31, 2012

Verdejo from Rueda, Spain: An Original

I love wines from Spain. For many reasons. They're inexpensive yet high quality. They're fresh and delicious. And maybe best of all, no one is trying to copy their style (yet). They're originals.

The reds are fabulous, but I find that the white wines are really something special. Food friendly, acidic yet fruity -- they've got the perfect mix. Rueda, an area on a high plain that lays in northwest/central Castilla y León, has some of the best whites, made mostly of Verdejo, a grape that had dropped off the radar until recently.

The climate is like any midwestern area -- hot summers, cold winters. The only thing that spares the grapes from sunburn is the warming Atlantic breezes. Still, vintages are erratic since frost, wind, hail, and any number of other natural maladies can maim or kill the crops. And one of those maladies, the killer of all European grapevines in the late 1800s through the early 1900s, the phylloxera root bug, kicked the area in the teeth and put Verdejo at risk of falling into obscurity.

After ripping through the area and killing 2/3 of the vines, growers replanted (on American grapevine roots, which are resistant to phylloxera, can anchor the plant, and can take a graft from a different grape species with no noticeable flavor difference). But they picked grapes that produced quantity over quality, and Verdejo, a slower grower, got bumped by Sauvignon Blanc and Viura (also used in Cava and white Rioja).  Most of the stuff produced from 1922 through the 1970s was nasty Sherry-like wine sold in bulk.

Help came from an unlikely source in the 1970s: Marquis de Riscal, a Rioja producer, who decided to bring Verdejo into the spotlight and make better whites from the grape.

My opinion: Good call!

The grape is unlike any other. It tastes like limes, lemon, and always has a little earthy, underbrush/shrubby smell. It has a little bitterness and great mouth-cleansing acidity but it's not sharp. It's usually really silky in your mouth and makes you want to go in for another sip.

Some things to watch before you buy wine from Rueda:
  • Wines labeled "Rueda" are only required to be 50% Verdejo -- the rest is Sauvignon Blanc and Viura
  • Wines labeled "Rueda Verdejo" are required to be 85% Verdejo, but many are 100% and usually indicate so on the bottle. Rueda Verdejo are the best wines, in my opinion.
Look before you buy!

And now...a new format for the blog. I'm splitting the education piece from the review. So come back in a few days for the review of Basa Verdejo -- an amazing wine that you have to know about!


I look forward to your comments! Please post them below or on Facebook or Twitter!

August 24, 2012

Wine For Normal People Radio: Ep 056 -- Italy Overview

I'm totally torn about this week's podcast. I almost gave up and decided not to launch it, but M.C. Ice and some Facebook friends encouraged me to go for it.

What's wrong with the Italy Overview? I think it was such a big topic that I lost steam. I thought it was a little low energy this week and I apologize. That said, I'm launching it anyway. If it's your first podcast...PLEASE give us another listen. Not our best work.

Click here to take a listen: Link

Here are the notes:



  • We hit on some stats about Italy and how I think it's amazing that people feel any level of comfort with Italian wine, when it's such a complex, confusing, and inconsistent product.
  •  I explain why wine is like breathing in Italy and how it's viewed differently there than in most other countries.
  • We discuss the staggering number of grapes, a rough overview of geography, and then we DORK out on history -- we throw in a little Latin, talk about the Carthiginians, spend a ton of time on Romans, and then hop onto modern Italy (WARNING: this is SUPER DORKY)
  • We discuss grapes you may not have heard of before (in case you wanted to see them in writing...Falanghina, Aglianico, Greco di Tufo, Nero d'Avola) and give you a teaser of episodes to come, when we'll get into the world of Italian wines. 
We'll have to do an EXTRA fabulous one next week to make up for lost energy : )

As always, thanks for listening!



If you like the podcast, please review it on iTunes, drop a comment below, or join the awesome conversation on Facebook (Wine For Normal People page) and Twitter @normalwine! 

And if you've got a question you want us to answer, post it on any of those places and we'll include it on the show! 


Podcast music: "Café connection" by morgantj / CC BY 3.0, ©2009 - Licensed under Creative Commons Attribution (3.0) Map: Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported2.5 Generic2.0 Generic and 1.0 Generic license

August 16, 2012

Latest Post on Collecting Wine on The Travel Belles!

I get so many questions about collecting wine. I have a lot of admiration for people who decide to do it...but I'll probably never be one of them.

I'm back in action with my favorite online travel mag, The Travel Belles (please check it out if you haven't) -- with an article on why...

Check it out! 

Wine: To Collect or Not To Collect?


August 15, 2012

Wine For Normal People Radio: Ep 055 -- Improving and Understanding Your Palate

This week we talk about some tactics for improving and understanding your tasting skills and palate. I've been doing a ton of classes lately and have realized that so many people are spooked by describing wine and think they have poor senses of taste. Nah! We tackle four tips that can help you improve or at least understand your palate!



1. Build your "taste pantry" -- including a story about me licking a golf club
2. The importance of state of mind when tasting wine (and why not to taste with jerks)
3. Figuring out how to define what standard BS wine terms mean to you
4. M.C. Ice and I do a little battle over nature v. nurture on the palate...you'll be surprised at who takes what side.

And the Grape of the Week: Norton, an American original!

As a bonus, here is the picture we mentioned at the end of the podcast.

If you like the podcast, please review it on iTunes, drop a comment below, or join the awesome conversation on Facebook (Wine For Normal People page) and Twitter @normalwine! 

And if you've got a question you want us to answer, post it on any of those places and we'll include it on the show! 

Thanks for listening! We can't wait to hear from you!


Podcast music: "Café connection" by morgantjCC BY 3.0, ©2009 - Licensed under Creative Commons Attribution (3.0) Map: Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported2.5 Generic2.0 Generic and 1.0 Generic license

August 13, 2012

Another Not-So-Normal Chance to Taste Fine Champagne: An Evening with Perrier-Jouët

Post Summary
  • New insights on Champagne from an experienced pro -- 4 things you may not know
  • Background on Perrier-Jouët
  • The four wonderful wines
__________________________________

I love Champagne so when I am lucky enough to go to a Champagne event hosted by one of the famed producers of the place, I am over the moon. Could I have been any more excited when I got a call from a friend who works with Perrier Jouët, telling me that there was an event featuring 4 amazing wines and the Chef de Cave (head wine dude), Hervé Descamps? 

Let me answer for you: no.

The best part about this event: I had a chance to mine Hervé for info on Champagne. I was lucky to log time with this adorable, charming, smart man who has been with Perrier-Jouët for an astounding 29 years. I was in wine dork heaven.

I've written and talked on the podcast about Champagne, so instead of re-hashing, I'll add some new stuff to the pot. Namely, some interesting things that I learned from Hervé:

1. Hand v. Machine Riddling: Champagne houses can rid the bottles of dead yeast sediment (see this post for more on how Champagne is made, or listen to the podcast on Sparkling) in two main ways. They can turn the bottles slowly by hand or use a machine that does it in half the time, called a gyropalatte. Apparently Perrier-Jouët has done tests and it's exactly the same flavor no matter how you do it. Good to know.

2. Global Warming? Sadly, yes.: Hervé said that he sees real signs of global warming in Champagne. He has been at this for 29 years and he says climatic conditions have changed dramatically over that time. The Champagne harvest is the last week in August and the grapes are far riper than they used to be at that point. Picking grapes with moderate acid and low sugar levels is the key to good Champagne, but this is harder to get right as the temperature warms. You have to make sure that you track sugar levels and acid levels earlier than you used to. With climate change, this is less predictable.

3. Each grape has its place. This is more of a refresher, but Hervé reminded me of the role of the three grapes in the Champagne blend...
  • Chardonnay: Used for its freshness, citrus qualities, and elegance (Perrier-Jouët is known for using a very high proportion of Chardonnay, making the wines more delicate and less bold)
  • Pinot Noir: Berry flavors and length -- this will make the flavor last in your mouth
  • Pinot Meunier (muhn-NYAY): Full, fruity, and juicy, this grape rounds out the blend and gives the wine some heft so it feels fuller and more substantial
4. Perrier - What???:  It's pronounced "Perri-ay Zhoe-wet": the two dots on the "e" of 'Jouet' mean that the "t" should be pronounced (but softly, like 'wet'), according to the brand web site. 

Background on Perrier-Jouët
A bit of background on Perrier-Jouët. The House began as the product of love. Pierre Nicolas Perrier, from a family of wine growers, and Adele Jouët married and created the house in 1811. They were great marketers and within a few years had secured distribution in the UK and the US. Their son, Charles Perrier was a complete rockstar business-person. He brought the Champagne true prestige, and under his watch Queen Victoria and Napoleon III made it their Champagne of choice.

In its 200 year history, the winery has only had seven cellar masters (winemaker/vineyard guardian/"Chef de Cave") -- each trained by the previous one. Perrier-Jouët is widely regarded as a very high quality producer, and the House's Cuvée de Prestige (more on this below), called Belle Epoque, is regarded as one of the finest in the world. 

The white anemone flowered bottle, which you may have seen before on store shelves, has a very cool story. In 1902, Charles' nephew, who took control over Perrier-Joüet after Charles died, had these bottles commissioned by a famous artist. They released the Champagne but it was a loser product so the bottle was forgotten. In the 1960s it was rediscovered and they decided to make a wine worthy of the bottle. Belle Epoque was born! 

The Tasting
Although I've been lucky enough to try a lot of high end Champagne,  I have to tell you that I had a real lightbulb moment at this event with these wines. In the past, I was only just learning about bubbles and the differences between the standard stuff that most of us can spring for every now and then and the smaller production, fine Champagne that is very expensive. 

At this event I realized that there was an enormous difference. So much so that the base wine and the higher tiers had almost no similarity for me. Let me describe the wines to make that point...
 
Wine 1: Grand Brut, Non-Vintage
Background: Non-vintage Brut (dry) Champagne makes up 75% of all Champagne sold. It's a blend of wines from various years and vineyards, blended to create a consistent style. This is the stuff most of us buy for $35 - $45. 
Cool fact: Perrier-Jouët made the first dry Champagne to please the English desire for dry bubbles. 
Price: $45
Color: The wine was a brass color and had fairly big, but consistent bubbles.
Smell: Like a croissant -- bready, yeasty, and a little steely or citrusy too.
Taste: Bready, grapey, and very light and refreshing. It had nice acid and the flavor went on and on. 
Drink or sink?: A good wine, but not my favorite non-vintage Champagne. 


Wine 2: 2004 Belle Epoque Brut
Background: Cuvée de Prestige is a Champagne House's showpiece wine. It is made from their best (called Grand Cru) vineyards and only in the best years, these wines are aged longer than the non-vintage wines and are expensive but really outstanding.
Price: $135
Color: Much paler, with a very fine, small bead/bubble -- this was a much more elegant, delicate looking wine. It looked finer.
Smell:  So floral like jasmine flowers, lemon-lime, with a very light croissant smell. This was so pretty, and fit in perfectly with the profile often ascribed to Belle Epoque -- floral, delicate, and distinguished.
Taste: Like it smelled, but with a slight berry/grape flavor and excellent acidity and effervescence.
Drink or sink?: This wine is delicate, unique, and just fabulous. The floral bottle is an excellent reminder that this wine is different from other Champagnes -- understated and simply beautiful. If you like big bold Champagne, you may not like this but if you are open to something lighter, this is your wine.

Wine 3: Blason Rosé
The blend: 45% Pinot Noir, 40% Chardonnay, 5% Pinot Meunier
Background: Champagne is the only area in France that allows rosé to be made by mixing red and white wine together. This wine is made using that method.
Price: $70
Color:  A light salmon color: orange pink.
Smell: A raspberry, lemon scent but very faint.  
Taste: Elegant with raspberry, strawberry, and bready flavors. The acidity was high and the wine had a lingering cherry or strawberry flavor. 
Drink or sink?: Another very pretty wine. I found this subtle, delicate and freaking fabulous. I loved this wine. Full enough but mostly elegant and mild. Great.

Wine 4: 2004 Belle Epoque Rosé
This wine was Alive! It wasn't even on the roster so we were so lucky to have it! They surprised us with this special treat at the end of the tasting -- I was thrilled that I stuck around for it.
Price: $225
Color: Salmon or copper with a golden tinge and a very tiny, long-lasting bubble.
Smell: The wine smelled like ripe raspberry and jasmine flowers. It was like a fresh baked, warm biscuit with raspberry preserves. Savory and there was that light floral note -- delicious to smell.
Taste: Damn. This was amazing. It was so delicate in flavor but it also had power because of the weight in my mouth, acid, and bubbles. It's hard to explain it, but even thinking about it I can still almost taste it. The wine tasted like it smelled but it had a lemon note, a chalky, mineral flavor, strong acidity, and lots of effervescence. It was heavier than the Brut and the flavor went on and on after I swallowed. It was really impressive. 
Drink or sink?: A genuinely special wine  One of the best I've had -- it totally lives up to the reputation. If you have a chance to try this, your mouth will thank you!

Thanks to my friend Beth for the invite, to Hervé for being so lovely, to the awesome Four Seasons staff for treating me like an insider, and to Pernod-Ricard, the conglomerate that distributes Perrier-Jouët, for their hospitality!

Please drop a comment and let me know if you've had these wines and what you think!